The Strokes at Hyde Park.
A night of euphoria and the end of a long wait for many.
A night of euphoria and the end of a long wait for many.
Nearly 5 years had
passed since The Strokes played their last show on British soil at Reading and
Leeds in 2011 and with their absence of live shows and a disappointing fifth LP
‘Comedown Machine’ it was clear they weren’t the trailblazers they were at the
turn of the century. Nonetheless when the chance to finally see The Strokes
came about heads were turned and people were (quite rightly) excited.

Soon after the first of the real big hits came out and it
was Someday which the crowd responded
with every word of the chorus being belted out in such a euphoric manner which
brought tears to eyes, and not just for sentimental reasons but because The
Strokes were fucking fantastic. As someday ended there was not a moment’s pause
until Albert Hammond Jr erupted into Heart in a Cage in this one song the
entire energy of the gig was encapsulated as Juilian Casablancas crooned about
fighting through the crowd at a concert accompanied by a simultaneous surge.
The debut heavily influenced the setlist and with ‘Hard to Explain’
up next everything seemed to really step up a gear with the crowd getting into
full swing with the awe, for many, of finally seeing The Strokes wearing off.
Shortly after the moment everyone had been waited for came about, Last Nite. The
Strokes landmark song again off their sublime sounding debut album and what is
essentially a raw love song caused the crowd into what can be best described as violent elation but
without the violence. As the track descended into its subdued finish the 50,000
people in the crowd continued to jig until the very last chord.
After setting off into the iconic riff of Reptillia, during
which I was staggered how they managed to retain such a cool aura about them,
as the crowd howled the lyrics ‘he seemed impressed by the way you came in’
where there was no one I could see who hadn’t proceeded to lose their shit. The
more groovy tone of macchu picchu and then what I consider to be the ultimate
pop song, ‘under the cover of darkness’, both from ‘angles’ followed. Fan
favourite New York City cops ended the main bulk of the set where I don’t think
there was a single member of the crowd who hadn’t adopted a New Yorker’s accent
for the chorus.
The encore really was the stuff of dreams, the pounding
bassline of ‘Juicebox’ kicked off affairs to mark their return to the stage.
The song which precedes it on ‘first impressions of the earth’, ‘You only live
once’, followed as the encore’s second track. The final song of the evening
‘take it or leave it; the album closer of ‘is this it’ was a seemingly a
fitting way to end their first show in the capital for over 5 years and its
importance signified by starting with the debut’s opener and ending with its
final track. The song itself executed to perfection, an apt way to end such an
iconic night - And if this really is ‘it’ for The Strokes, my god, they have
bowed out in some style.
By Joe Daniel
By Joe Daniel
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